Previous works:
SW-2025-Noten-1
Pigments, sand, gesso, medium and varnish on wood in artist frame
Total size: 113 x 77 x 4,7 cm
SW-2025-Noten-1
Pigments, sand, gesso, medium and varnish on wood in artist frame
Total size: 113 x 77 x 4,7 cm
SW-2025-Riesling-3
Pigments, sand, gesso, medium and varnish on canvas in artist frame
Total size, 86 x 153 x 6 cm
Pigments, sand, gesso, medium and varnish on canvas in artist frame
Total size, 86 x 153 x 6 cm
Below: SW-2025-Drilling-3
Pigments, sand, gesso, medium, ink, lacquer and varnish on wood in artist frame
Total size, 57 x 97 x 4,5 cm
Pigments, sand, gesso, medium, ink, lacquer and varnish on wood in artist frame
Total size, 57 x 97 x 4,5 cm
Previous works: SW-2025-Griptape-2
Pigments, sand, gesso, medium and varnish and carton in artist frame
Total size, 45,5 x 35 x 4,7 cm
Pigments, sand, gesso, medium and varnish and carton in artist frame
Total size, 45,5 x 35 x 4,7 cm
SW-2025-Griptape-1
Pigments, sand, gesso, medium and varnish on wood, on freely rotating structure
Total size: 60,5 x 60,5 x 5,5 cm
SW-2025-Noten-3
Pigments, sand, gesso, medium and varnish on wood in artist frame
Total size, 91 x 72 x 4,5 cm
Pigments, sand, gesso, medium and varnish on wood in artist frame
Total size, 91 x 72 x 4,5 cm
Silent Words
The birth of these works was the conception of a series of illegible signs and unique, handmade calligraphic instruments, specifically created to write these symbols.
Built from repurposed materials, these new writing tools resemble known nibs, pens, or markers, but are re-designed for the use of raw materials, like sand, pigments, water and other mediums, which are each found in human handwriting culture. In this process, the act of handwriting is split into its components and actions and reassembled again, as a unique experiment that results in a painting.
Built from repurposed materials, these new writing tools resemble known nibs, pens, or markers, but are re-designed for the use of raw materials, like sand, pigments, water and other mediums, which are each found in human handwriting culture. In this process, the act of handwriting is split into its components and actions and reassembled again, as a unique experiment that results in a painting.
Éstas obras nacen de una serie de signos ilegibles e instrumentos caligráficos únicos hechos a mano y creados específicamente para escribir estos símbolos.
Construidas a partir de materiales reutilizados, estas nuevas herramientas de escritura se asemejan a puntas, bolígrafos o rotuladores conocidos, pero están rediseñadas para el uso de materias primas, como arena, pigmentos, agua y otros medios, cada uno de los cuales se encuentra en las diferentes culturas de la escritura. El proceso de escribir a mano se divide en sus componentes y se recompone como experimento del cual nace una imagen
Am Anfang dieser Arbeiten steht die Erfindung einer Reihe unleserlicher Schriftzeichen mit dazugehörigen kalligraphischen Instrumenten, die speziell zum Schreiben dieser Symbole geschaffen wurden.
Diese neuen Schreibgeräte bestehen aus wiederverwendeten Materialien und ähneln bekannten Federn, Stiften oder Markern, wurden jedoch für die Verwendung von Rohstoffen wie Sand, Pigmenten, Wasser und anderen Medien, die in Schriftkulturen vorkommen, neu konzipiert. Der Prozess des Handschreibens wird so jedes mal in seine Teile und Handlungen zerlegt und wieder neu zusammengesetzt als einzigartiges Experiment aus dem ein Bild entsteht.
